Wherein I almost (almost) quit writing poetry forever. Or, alternatively, “Thank you, Arthur Chu.”

Toodles, Poetry! And Humankind?

Some weeks ago, it occurred to me that I have no place in the world of poetry anymore.

I have spent much of the last year devoted to finishing a first draft of a lengthy historical novel. I have continued to interact with my beloved poetry group, but I cannot say I truly was interacting with my own poetry. When the question “Should you still be writing poetry?” arose from the depths of my subconscious, my first instinct was to tamp it down, and hard, but it just wouldn’t go away.

I’ve taken extended vacations away from “poetry world” before and I’ve also been frustrated at times with all aspects of what we call “poetry,” from writing to revising to submitting to publishing, etc., but this time felt different. ┬áSo I decided to look that persistent little query in the eye and, behold, I watched as it morphed into, “WHY should you (or ANYONE) continue to write poetry?” Wait. What? Me or ANYONE? Oh, no, I thought. So it’s not, “I have no place in the world of poetry,” it’s “poetry has no place in the world.” Hang it up, Natasha Tretheway. As brilliant and brutally beautiful as your work is, it’s no use. Have I really started to buy into the “Poetry is dead” tripe? Ugh, I thought. Am I nihilist? Has Game of Thrones done this to me? Of course poetry is dead! EVERYone’s dead except the assholes! Damn you, George R.R. Martin!

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